P. Kellach Waddle - Dvorakiana Vol.1: The First Dreams of Dvorak for unaccompanied double bass

About the Composition

7 Bagatelles on Themes of Dvořák for Unaccompanied Double Bass Op.626

Pošta 100 was launched in 2019 to celebrate the 100th birthday of the Czech virtuoso bassist František Pošta (1919-2019), the leading Czech bassist of his generation, with the aim of commissioning one hundred new pieces for unaccompanied double bass.

P. Kellach Waddle decided to write fourteen new pieces for the project, based on themes from works by Antonín Dvořák, which are published in two volumes. Each short piece offers musical and technical challenges in equal measure also exploring the sonorous, adventurous and dramatic possibilities of the double bass. None outstay their welcome and these engaging and accessible modern solos offer much to performers and audiences alike.

Bagatelle No.1 (Violin Concerto, 1st movement)

Bagatelle No.2 (Piano Concerto, 2nd movement)

Bagatelle No.3 (Symphony No.7, 3rd movement)

Bagatelle No.4 (Piano Quintet Op.1, No.5, 2nd movement)

Bagatelle No.5 (Piano Concerto, 3rd movement)

Bagatelle No.6 (Cello Concerto, 2nd movement)

Bagatelle No.7 (The Noon Witch Op.108)

About the Composer

P. Kellach Waddle enjoys an active career as a composer, orchestral and chamber music bassist, solo bassist, conductor, writer, and concert curator. His prolific output as a composer now numbers over 760 includes pieces for every standard orchestral instrument except timpani.

His output features hundreds of solo and chamber works as well as concertos and works for large orchestra and chorus, and he is especially known for his large and ongoing contribution to the repertoire of his own instrument, the double bass, as well as continuing to write a significant amount of double reed music and saxophone music

Waddle’s music has been heard in 39 states in the USA, in dozens of foreign countries, also featured more than 20 times on NPR and in venues from Carnegie Hall to the White House. His many accolades as a composer include an Austin Critics’ Table award for outstanding new composition of the year, three citations as possible finalist for The Pulitzer Prize, four nominations as State of Texas Musician of the Year, and ten nominations for The American Prize, nine as a semi-finalist and one as a finalist.

P. Kellach Waddle has held many festival and professional orchestra positions throughout, including his current position as a tenured member of the Austin Symphony Orchestra (Texas), which he won in 1992.

As a soloist he has been a featured recitalist at many International Society of Bassists conventions where he has been hailed as “…one of the most thrillingly creative bass soloists in the world” and “…Waddle may be a bass virtuoso instead of being a pianist… yet still with all of these luxurious harmonies and melodies… PKW may very well be our American Rachmaninoff…”

Waddle’s diverse career includes his prolific work as a writer. He was a full-time entertainment journalist for 16 years, is an industry renowned TV historian having published over 3000 articles, and is also an award winning poet. He worked in private casinos as a licensed table games dealer and roulette croupier and holds seven degrees (2 Bachelor's, 3 Minors, and 2 Master's) from Cincinnati Conservatory, Rice University, and The University of Texas at Austin.