Skip to product information
1 of 5

David Heyes

Eduard Madenski: Two Mininatures for double bass & piano

Eduard Madenski: Two Mininatures for double bass & piano

Regular price $10.00 USD
Regular price Sale price $10.00 USD
Sale Sold out

About the Miniatures

1. Träumerei (Dreaming)
2. Souvenir

Two Miniatures is written in a late-romantic and tonal style which are ideal for the intermediate bassist who is confident playing in the solo register and is able to demonstrate the lyrical and sonorous qualities of the double bass.

Träumerei (Dreaming), also known as Marzenie, has a lilting and supportive accompaniment contrasting a more song-like melody which beautifully exploits the solo register of the double bass.

Souvenir begins simply, developing into a passionate and animated middle section, exploring the sonorous and lyrical capabilities of the double bass. A driving accompaniment creates a feeling of drama, momentum and great expressive feeling.

Two Miniatures includes piano accompaniments for both solo and orchestral tunings.

About the Composer

Eduard Madenski was born on 20 September 1877 in Vienna, and began his musical studies at the age of fourteen, studying violin at the Vienna Conservatoire with Josef Maxincsaz and theory with Adolf Prosniz and Stephan Stocker. In 1892 he began to study double bass with František Simandl, graduating in 1898 with the highest honours. The following year he was appointed a member of the Vienna Court Opera and in 1909 became Principal Bass of the Vienna State Opera. In 1910 his 'Orchesterstudien aus Richard Strauss' symphonischen Werken' was published and includes excerpts from many of the challenging orchestral works by Strauss which were new to players and audiences and many thought to be unplayable. Madenski and Strauss worked together in Vienna and the bassist was greatly respected and valued by the composer who commented "So gespielt, braucht der Kontrabass die Rivalität mit dem Violoncell nicht zu scheuen, im Gegenteil, sein Ton hat eine edle Männlichkeit, die dem Violoncell fehlt.“ ["When so played the bass has no rivalry with the violoncello, on the contrary, his tone has a nobility that is missing from the cello."] Alongside his orchestral duties Madenski also played as a soloist, writing and transcribing a number of works for the instrument. He was described as a 'Kontrabass-Virtuose' at his debut solo recital in the Grosser Musikvereinssaal in Vienna on 26 November 1903, receiving top billing above Betty Schubert, a singer with the Court Opera, alongside pianist Rudolf Heidinger.

Madenski become a member of the Vienna Philharmonic Orchestra and also succeeded Simandl as Professor of Double Bass at the Vienna Conservatoire on the latter's retirement. Two of his most successful and famous students were Joseph Prunner (1886-1969) and Hans Fryba (1899-1986), and it is likely that Madenski wrote his 'Instruktive Tonleiter- und Akkordstudien' for his students at this time, advocating the use of the fourth finger in thumb position. The Vienna Philharmonic Orchestra made its first trip to South America in 1922, performing 34 concerts in Rio de Janeiro, Montevideo and Buenos Aires, and according to the orchestra's website "...was greatly admired with true southern fervour wherever it appeared..." The success of the tour was followed by a further invitation to tour South America in the summer of 1923, and this time the orchestra played 42 concerts in Rio de Janeiro, Sao Paolo, Montevideo, La Plata, Buenos Aires and Bahia. The website continues "...this trip, however turned into a nightmare: first violinist Karl Knoll, suffering with depression, committed suicide by throwing himself out of his hotel window; clarinettist Franz Behrends died in Buenos Aires of pneumonia; and on the return trip plague brok out aboard ship, killing several passengers including contrbassist Eduard Madenski. In the presence of deeply grieving colleagues, his corpse was committed to the deep at latitude 22, longitude 20 near the African coastline." Barely 46 years old when he died, Eduard Madenski had been a successful solo and orchestral bassist, teacher and double bass composer, and a century after his death, his name is still remembered by many double bass historians and activists.

View full details